Domenico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Massacre of the Innocents
Studio of Domenico Piola Italian, 1627-1703

Assumption of the Virgin
Domenico Piola (Italian, 1627-1703) or Marcello Venusti (Italian, 1512/15-1579)

Assumption of the Virgin
Domenico Piola Italian, 1627-1703

Allegory of Victory
Domenico Piola Italian, 1627-1703

Study for Detail: Saint Veronica
Attributed to Domenico Piola Italian, 1627-1703

Descent from the Cross
Domenico Piola Italian, 1627-1703

Sketches of Religious Scenes
Possibly after Domenico Piola (Italian, 1627-1703) or Style of Francesco Solimena (Italian, 1657-1747) or Studio of Domenico Piola (Italian, 1627-1703)

Adoration of the Shepherds
Domenico Piola Italian, 1627-1703

Sacrifice of Isaac (recto); Figure Sketches (verso)
After Domenico Piola Italian, 1627-1703

Cartouche Decorated with Foliage, Books
Style of Domenico Piola Italian, 1627-1703

Ecstasy of a Female Saint
Possibly Domenico Piola (Italian, 1627-1703) or Bartolomeo Guidobono (Italian, 1654-1709) or Giovanni Francesco Romanelli (Italian, 1610-1662)

Saint Jerome
Domenico Piola (Italian, 1627-1703) or Jan Steen (Dutch, 1626-1679)

Suffer the Little Children
Domenico Piola I Italian, 1627–1703

Adoration of the Shepherds
possibly after Guido Reni (Italian, 1575-1642) or Style of Domenico Piola (Italian, 1627-1703)

Allegorical Figure with Arms of Alexander VIII (Ottoboni) and Arms of Papacy
Attributed to Francesco Mancini (Italian, 1679-1758) or Domenico Piola (Itaian, 1627-1703) or Giueppe Cesari (Italiian, 1568-1640) or after Marco Antonio Franceschini (Italian, 1648-1729)

Vision of Saint Dominic
Possibly Domenico Piola Italian, 1627-1703

Female Figures with Putti in Clouds
Possibly Gregorio de' Ferrari (Italian, 1644-1726) or Domenico Piola (Italian, 1627-1703) or Antonio Allegri, called Correggio (Italian, c. 1489-1534) or Franz Anton Maulbertsch (Austrian, 1724-1796)

Iris
Circle of Domenico Piola (Italian, 1627-1703) or Pietro da Cortona (Italian, 1596-1669)

Standing Putto Holding Tablet
Attributed to Lazzaro Tavarone (Italian, 1556-1641) or Style of Domenico Piola (Italian, 1627-1793) or Lodovico Carracci (Italian, 1555-1619)

Judgment of Solomon
Possibly Pietro da Cortona (Italian, 1596-1669) or the studio of Domenico Piola (Italian, 1627-1703) or Genoese (Italian, 16th/17ith century)