Artist

Bernard van Orley

1487–1541

132681

Works

Years lived

sixteenth century

Style

Bernard’s work is defined by its sixteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132681 pieces

Pentecost

Workshop of Bernard van Orley (Netherlandish, 1490–1542)

July

After a design by an unidentified Flemish artist in the circle of Bernard van Orley (c. 1488–1541) Brussels

February

After a design by an unidentified Flemish artist in the circle of Bernard Van Orley (c. 1488-1541) Brussels

Justitia (Justice) from Los Honores

Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artists Possibly produced at the workshop of Pieter van Aelst (c. 1450–1533; top left corner); produced at an unknown workshop (remaining sections) Brussels (top left corner and center of lower section); Belgium or France, 1905/08 (remaining sections)

October

After a design adapted from part of a larger design by an unidentified Flemish artist in the circle of Bernard van Orley (Netherlandish, c. 1492-1542), c. 1525 Brussels

Prudentia (Prudence) from Los Honores

Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artists Possibly woven at the workshop of Pieter van Aelst (Flemish, c. 1450-1533; left side) Brussels, 1525/32 (left side); Belgium or France, 1905/08 (right side)

Falcon Hunt

Possibly after Bernard van Orley Netherlandish, c. 1492-1542

Pastoral Scene: Men Hunting Birds, Couples Seated on Ground

Possibly after Bernard van Orley Netherlandish, c. 1492-1542

Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great

Adapted from designs attributed to Nicolaas van Orley (died 1586/91) Possibly woven at the workshop of Jacques Tseraerts (died before 1613) Brussels

Shooting a Pink Elephant, from Screen Prints 1970

Bernard van Marm (American, active 1970) conceived, organized, and produced by Sonia Sheridan produced by The School of the Art Institute of Chicago and the Advance Screen Company, Chicago distributed by The Goodlion