Jan’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Rape of a Sabine Woman, Frontal View
Jan Harmensz Muller (Dutch, 1571-1628) after Adriaen de Vries (Dutch, c. 1545-1626)
The Rape of a Sabine Woman, View from Behind
The Last Supper
Jan Harmensz Muller (Dutch, 1571-1628) after Lucas van Leyden (Netherlandish, c. 1494-1533)
Portrait of Hendrick Goltzius
Jan Harmensz Muller (Dutch, 1571-1628) after Hendrick Goltzius (Dutch, 1558-1617)
The Rape of a Sabine Woman, Lateral View
Jupiter and Semele
Attributed to Jan Harmensz Muller Dutch, 1571-1628
Chilon of Sparta
Jan Harmensz Muller (Dutch, 1571-1628) published by Harmen Jansz. Muller (Dutch, c. 1540-1617)
Mercury
Attributed to Pieter de Jode I (Flemish, 1570-1634) or Jan Hamensz. Muller (Dutch, 1571-1628) after Giovanni da Bologna (Flemish, 1529-1608)
Apollo
After Jan Harmensz Muller Dutch, 1571-1628
Emperor Maximilian I
Attributed to Jan Muller (Dutch, 1540-1617) after Lucas van Leyden (Netherlandish, c. 1494-1533)
Venus and Mercury
Jan Harmensz Muller (Flemish, 1540-1617) after Bartholomeus Spranger (Flemish, 1546-1611)
Adoration of the Shepherds
Jan Harmensz Muller Dutch, 1571-1628
The Three Fates
Jan Harmensz Muller (Dutch, 1571–1628) after Cornelis van Haarlem (Dutch, 1562–1638)
The Abduction of a Sabine Woman
Jan Harmensz Muller (Dutch, 1571–1628) after Adriaen de Vries (Dutch, c. 1566–1626)
Lot and His Daughters
Jan Harmensz Muller Dutch, 1571–1628
Portrait of Archduchess Isabella Clara Eugenia, Infanta of Spain
Jan Muller (Dutch, 1571-1628) after Peter Paul Rubens (Flemish, 1577-1640)
Fight between Ulysses and Irus
Jan Harmensz Muller (Dutch, 1571–1628) after Bartholomeus Spranger (Flemish, 1546–1611)
Apollo Slaying the Python