Pierre-Antoine’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Allegory of the Marriage of the Dauphin Louis to the Infanta Maria Theresa of Spain
Pierre Antoine Baudouin French, 1723-1769
Le carquois épuisé (The Empty Quiver)
Nicolas Delaunay (French, 1739-1792) after Pierre Antoine Baudouin (French 1723-1769)
Les Soins Tardifs (The Belated Care)
Nicolas Delaunay (French, 1739-1792) after Pierre Antoine Baudouin (French, 1723-1769)
L'Epouse indiscrete (The Indiscreet Wife)
Le Midi (Midday, from Quatre parties du jour)
Emmanuel Jean Nepomucene de Ghendt (French, 1738-1815) after Pierre Antoine Baudouin (French, 1723-1769)
Le danger du tete-a-tete (The Danger of a Private Conversation)
Jean Baptiste Blaise Simonet (French, 1742-1813) after Pierre Antoine Baudouin (French, 1723-1769)
Le Matin (Morning, from Quatre parties du jour)
La Nuit (Night, from Quatre parties du jour)
Le Couche de la Mariee (The Marriage Bed)
Jean Michel Moreau (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723-1769)
La Rencontre Dangereuse (The Dangerous Encounter)
Jean Jacques Andre Le Veau (French, 1729-1785) after Pierre Antoine Baudouin (French, 1723-1769)
Le Soir (Evening, from Quatre parties du jour)
Les Cerises (Cherries)
Nicolas Ponce (French, 1746-1831) after Pierre Antoine Baudouin (French, 1723-1769)
La Soiree des Thuileries ( The Evening at Tuileries)
La Toilette (The Toilette)
Le Jardinier Galant (The Amorous Gardener)
Isidor-Stanislas Helman (French, 1743-1806 or 1809) after Pierre Antoine Baudouin (French, 1723-1769)
Rose et Colas (Rose and Colas)
The Nocturnal Abduction
Her Size is so Ravishing
Pierre Adrien Le Beau (French, 1748-after 1817) after Pierre Antoine Baudouin (French, 1723-1769)
Le danger du tête-à-tête (The Danger of the Private Conversation)