Mori’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Aiming at the Fan, from the series "Tale of Heike"
Mori Yoshitoshi Japanese, 1898-1992

Artist's Sketchbook
Mori Yoshitoshi Japanese, 1898-1992

The Ex-Emperor Fleeing in Defeat, from the series Tale of Heike
Mori Yoshitoshi Japanese, 1898-1992

Thunder God
Mori Yoshitoshi Japanese, 1898-1992

Wind God
Mori Yoshitoshi Japanese, 1898-1992

Guardian Deity
Mori Yoshitoshi Japanese, 1898-1992

The Sorrow of Kesa Gozen
Mori Yoshitoshi Japanese, 1898-1992

Soga Goro Drawing a Sword
Mori Yoshitoshi Japanese, 1898-1992

Warriors in Combat
Mori Yoshitoshi Japanese, 1898-1992

Woman with fan
Mori Yoshitoshi Japanese, 1898-1992

Just a Moment (Shibaraku)
Mori Yoshitoshi Japanese, 1898-1992

Chinese Lion
Mori Yoshitoshi Japanese, 1898-1992

Miko No Inori
Mariko Mori Japanese, born 1967

That Which I Should Have Done I Did Not Do (The Door)
Ivan Albright (American, 1897–1983)

11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"
Tsukioka Yoshitoshi Japanese, 1839–1892

Fujiwara no Yasumasa Playing His Flute in the Moonlight
Tsukioka Yoshitoshi Japanese, 1839-1892

Gamo Sadahide's Servant, Toki Motosada, Hurling a Demon King to the Ground at Mount Inahana, from the series "New Forms of Thirty-Six Ghosts (Shinkei sanjuroku kaisen)"
Tsukioka Yoshitoshi Japanese, 1839–1892

Heron Maiden from the series "New Forms of Thirty-Six Ghosts"
Tsukioka Yoshitoshi Japanese, 1839–1892

Urashima Taro Returning Home from the Palace of the Dragon King (Urashima Taro no ko kikoku ju Ryugujo no zu)
Tsukioka Yoshitoshi Japanese, 1839–1892