Robert’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Propeller-Wind
Robert Michel German, 1897-1983
Mez (Mittel-Europaische-Zeit: Weimar)
Laughter
Auguste Herbin French, 1882-1960
Standing Figure
China
Camel Figurine
The Storm
Georges Michel (French, 1763-1843)
Portrait of Edouard Molé
Robert Nanteuil French, 1623-1678
Louis Phélypeaux de la Vrillière
Anne of Austria, Queen of France
Robert Nanteuil (French, 1623-1678) after Pierre Mignard I (French, 1612-1695)
The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)
Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519
Portrait of a Lady
Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)
Morion for the Bodyguard of the Elector of Saxony
Probably Hans Michel (German, 1539-1599) Nuremberg
Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)
Simon Vouet
Robert van Voerst (Flemish, 1597-1636/37) after Anthony van Dyck (Flemish, 1599-1641)
The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)
Champs de Mars: The Red Tower
Robert Delaunay French, 1885–1941
The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)
The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)