Robert’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Propeller-Wind
Robert Michel German, 1897-1983
Mez (Mittel-Europaische-Zeit: Weimar)
Laughter
Auguste Herbin French, 1882-1960
Standing Figure
China
Camel Figurine
The Storm
Georges Michel (French, 1763-1843)
Portrait of Edouard Molé
Robert Nanteuil French, 1623-1678
Louis Phélypeaux de la Vrillière
Anne of Austria, Queen of France
Robert Nanteuil (French, 1623-1678) after Pierre Mignard I (French, 1612-1695)
The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)
Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519
Portrait of a Lady
Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)
Simon Vouet
Robert van Voerst (Flemish, 1597-1636/37) after Anthony van Dyck (Flemish, 1599-1641)
Morion for the Bodyguard of the Elector of Saxony
Probably Hans Michel (German, 1539-1599) Nuremberg
Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)
Champs de Mars: The Red Tower
Robert Delaunay French, 1885–1941
The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)
The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)
The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)