James’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

The Thames, or The Triumph of Navigation
James Barry Irish, 1741-1806

Milton Dictating to Ellwood the Quaker
James Barry Irish, 1741-1806

Study for Commerce or the Triumph of the Thames
Attributed to James Barry Irish, 1741-1806

Pandora
James Barry Irish, 1741-1806

Eastern Patriarch, from the first issue of Specimens of Polyautography
James Barry (Irish, 1741-1806) published by Philipp André (German, active London, 1800–1805) and James Heath (British, 1757–1834)

Head of Neptune
James Barry (Irish, 1741-1806) or circle of or James Thornhill (English, 1675-1734)

Antique Mosaic in the Barberini Palace
Attributed to James Barry Irish, 1741-1806

Saint James the Greater
Master F.P. (Italian, c. 1530-1550) or after Girolamo Francesco Maria Mazzola, called Il Parmigianino (Italian, 1503-1540)

Untitled
James McGarrell American, born 1930

Nocturne: Blue and Gold—Southampton Water
James McNeill Whistler (American, 1834–1903)

James William Wallack
Charles Robert Leslie American, born England, 1794–1859

Untitled
Robert Barry American, born 1936

At Mouquin's
William Glackens (American, 1870–1938)

James Vibert, Sculptor
Ferdinand Hodler Swiss, 1853-1918

Windmill, Veere
James McBey American, born Scotland, 1883-1959

Many Mansions
Kerry James Marshall American, born 1955

Butterfly
James McNeill Whistler American, 1834-1903

Mary (Polly) Lawton Bringhurst
James Peale (American, 1749–1831)

Untitled
Robert Barry American, born 1936

Lady Elizabeth Montagu
James McArdell (Irish, c. 1728-1765) after Sir Joshua Reynolds (English, 1723-1792)