George’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Untitled (Chicago after the Fire)
Attributed to George N. Barnard American, 1819–1902

Ruins in Charleston, S.C.
George N. Barnard American, 1819–1902

Sherman and His Generals
George N. Barnard American, 1819–1902

Battle Field of Atlanta, GA No. 1
George N. Barnard American, 1819–1902

Ruins of the Pinckney Mansion, Charleston, S.C.
George N. Barnard American, 1819–1902

Rebel Works in Front of Atlanta, GA, No. 4
George N. Barnard American, 1819–1902

The "Hell Hole," New Hope Church, GA
George N. Barnard American, 1819–1902

Ruins of the R.R. Depot Charleston, S.C.
George N. Barnard American, 1819–1902

Ruins in Columbia, S.C., No. 2
George N. Barnard American, 1819–1902

Battle Field of New Hope Church, GA, No. 2
George N. Barnard American, 1819–1902

Trestle Bridge at Whiteside
George N. Barnard American, 1819–1902

Savannah River, near Savannah, GA
George N. Barnard American, 1819–1902

Battle Field of New Hope Church, GA, No. 1
George N. Barnard American, 1819–1902

The Potter House Atlanta
George N. Barnard American, 1819–1902

Rebel Works in Front of Atlanta, GA, No. 1
George N. Barnard American, 1819–1902

Scene of Gen. McPhersons Death
George N. Barnard American, 1819–1902

Buen-Ventura Savannah, Ga.
George N. Barnard American, 1819–1902

The Battle Field of Peach Tree Creek, Ga.
George N. Barnard American, 1819–1902

City of Atlanta, GA, No. 1
George N. Barnard American, 1819–1902

Allatoona from the Etawah
George N. Barnard American, 1819–1902