Johann’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Oh How Beautiful is God's Nature
Johann Heinrich Lips Swiss, 1758-1817

Goodbye
Johann Heinrich Lips Swiss, 1758-1817

Odysseus, at the Doors of Hades, Meets the Shades of Tiresias and Anticlea
Johann Heinrich Lips Swiss, 1758–1817

Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560

Angry Young Machine
H. C. Westermann American, 1922-1981

Hercules and Omphale
Johannes Tischbein German, 1722-1789

Thetis and Achilles
Johann Heinrich Tischbein, I German, 1722-1789

The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)

The Lovers
Johann Heinrich Ramberg German, 1763-1840

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Heinrich Aldegrever German, 1502-c.1560

Unobserved Man Spying on Reclining Lovers
Johann Heinrich Ramberg German, 1763-1840

Descent from the Cross with a Silhouette of Jerusalem in the Background
Franz Johann Heinrich Nadorp German, 1794-1876

Landscape
Heinrich Campendonk German, 1889–1957

Bearded Man Spying on Lovers Under an Arbor
Johann Heinrich Ramberg German, 1763-1840

From Brittany
Heinrich Campendonk German, 1889-1957

Three Female Bathers, Two in the Water, the Third Getting in by Herself
Johann Heinrich Tischbein, I German, 1722-1789

Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)

Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)

Oenotria Telus, An Idealized Woodland Scene Near Naples
Johann Heinrich Wilhelm Tischbein German, 1751-1829

The Annunciation
Johann Koerbecke (German, about 1420–1490)