Johann’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Oh How Beautiful is God's Nature
Johann Heinrich Lips Swiss, 1758-1817
Goodbye
Odysseus, at the Doors of Hades, Meets the Shades of Tiresias and Anticlea
Johann Heinrich Lips Swiss, 1758–1817
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560
Angry Young Machine
H. C. Westermann American, 1922-1981
Hercules and Omphale
Johannes Tischbein German, 1722-1789
Thetis and Achilles
Johann Heinrich Tischbein, I German, 1722-1789
The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)
The Lovers
Johann Heinrich Ramberg German, 1763-1840
Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Unobserved Man Spying on Reclining Lovers
Descent from the Cross with a Silhouette of Jerusalem in the Background
Franz Johann Heinrich Nadorp German, 1794-1876
Landscape
Heinrich Campendonk German, 1889–1957
Bearded Man Spying on Lovers Under an Arbor
From Brittany
Heinrich Campendonk German, 1889-1957
Three Female Bathers, Two in the Water, the Third Getting in by Herself
Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)
Oenotria Telus, An Idealized Woodland Scene Near Naples
Johann Heinrich Wilhelm Tischbein German, 1751-1829
Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)
The Annunciation
Johann Koerbecke (German, about 1420–1490)