Lan’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Landscape in the Style of Ancient Masters: after Gao Kegong
Lan Ying (Chinese, 1585-c. 1664)
Landscape in the Style of Ancient Masters: After Gao Kegong
Lan Ying (Chinese, 1585-1664)
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)
Landscape in the Style of Ancient Masters: after Fang Congyi
Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385)
Landscape in the Style of Ancient Masters: Songxuezhai Lan Ying
Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Cao Zhibo (1272-1355)
Landscape in the Style of Ancient Masters: Artist's commentary
The Peach Blossom Spring 桃花源圖
Artist unknown (17th century), spurious signature of Qiu Ying 仇英 (c. 1500-1552) Chinese
Ancient Alley (Guxiang)
Ying Tianqi Chinese, born 1949
Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)
Calligraphy attributed to Qiu Ying Chinese
Mademoiselle Lot
David Lan-Bar (Israeli, born Poland, 1912-1987) printed by Drum Lithographers (American, 20th century) published by Collectors Graphics, Inc. (American, c. 1960-)
Abstract Landscape
Landscape
Attributed to Qiu Ying 仇英 (Chinese, 1494-1552)
The Gathering at the Orchid Pavilion
Artist unknown Spurious attribution to Qiu Ying (Chinese,1495-1551)
Going up the River at the Qingming Festival
Attributed to Qiu Ying (Chinese, c.1495-1551)
Artist unknown Chinese
Persia (Furnishing Fabric)
Designed by Hans Krondahl (Swedish, born 1929) Produced for "Söndra Kalmar Läns Hemslöjdsförening Kalmar" Sweden, Kalmar
Abstract Composition