Jacques’s work is defined by its 14th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Corpus of Christ, from the Altarpiece of the Crucifixion
Jacques de Baerze (Netherlandish, active before 1384–1399) Melchior Broederlam (Netherlandish, about 1355–about 1411)
Old Man with a Boy Reading
Jean Jacques de Boissieu French, 1736-1810
Two Studies of a Roma Woman and a Roma Boy in a Large Hat
Jacques de Gheyn II Dutch, 1565-1629
The Destruction of Pharaoh's Army
Philippe-Jacques de Loutherbourg (French, 1740–1812)
The Anatomical Lesson of Professor Pauw
Andries Stock (Dutch, c. 1580-after 1648) after Jacques de Gheyn II (Dutch, 1565-1629)
Globes
Jacques Gaston Duchamp Villon French, 1875-1963
The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual
French (Paris) circle of the Master of Jacques de Besançon or the Master of Morgan 85
Carolus Clusius
View of the Salon in the Louvre in the Year 1753
Gabriel Jacques de Saint-Aubin French, 1724-1780
A Huntsman with a Dead Hare and a Dog (Study for "Terra")
Jacques and Berthe Lipchitz
Amedeo Modigliani Italian, 1884–1920
The Monk and the Hunter
The Miracle of the Five Loaves
Jacques de Gheyn II (Dutch, 1565-1629) after Abraham Bloemaert (Dutch, 1566-1651)
Interrelation of Volumes from the Ellipsoid
Georges Vantongerloo Belgian, 1886–1965
View of an Italian Villa and Gardens (the Belvedere of the Vatican)
The Old Tower at the Edge of a River
Clump of Trees near the Water
Jean Jacques de Boissieu (French, 1736-1810) after Jacob van Ruisdael (Dutch, 1628/29-1682)
"The Anger of Neptune" Fountain
Gabriel Jacques de Saint-Aubin (French, 1724-1780) after a fountain by Jacques-François Blondel (French, 1705-1774)
Sketchbook
Spring