Georges’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of Jean Lambert Tallien
Georges Antoine Keman (French, 1765–1830)
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Attributed to Anton Peffenhauser (German 1525—1603) Augsburg
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Mezzetino
Modeler: Bustelli, Franz Anton German, 1723-1763, b. Switzerland
Portrait of Cardinal Zelada
Anton Raphael Mengs (German, 1728–1779)
Saint Florian
Anton Eberhardt (Austrian, active 1760)
Flower Girl in Holland
George Hitchcock American, 1850–1913
Portrait of the Artist's Father, Ismael Mengs
Close Helmet for Foot Tournament at the Barriers
Anton Peffenhauser (German, c. 1525—1603) Augsburg
Saint George and the Dragon
Bernat Martorell (Spanish, active from 1427–died 1452)
Female Nude Bending Toward the Left
Georg Kolbe German, 1877-1947
Little Harbor in Normandy
Georges Braque French, 1882–1963
Standing Nude Woman
Sir George Clausen English, 1852-1944
Oil Sketch for "A Sunday on La Grande Jatte — 1884"
Final Study for "Bathers at Asnières"
Georges Seurat (French, 1859-1891)
Landscape at L'Estaque
Beaker
In the style of Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
The Home of the Heron
George Inness (American, 1825–1894)
Mourning Madonna
Nymphenburg Porcelain Manufactory (1747–present) Designed by Franz Anton Bustelli (born Switzerland, active Bavaria [now Germany], 1723–1763) Munich