Georges’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of Jean Lambert Tallien
Georges Antoine Keman (French, 1765–1830)
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Attributed to Anton Peffenhauser (German 1525—1603) Augsburg
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Mezzetino
Modeler: Bustelli, Franz Anton German, 1723-1763, b. Switzerland
Portrait of Cardinal Zelada
Anton Raphael Mengs (German, 1728–1779)
Saint Florian
Anton Eberhardt (Austrian, active 1760)
Portrait of the Artist's Father, Ismael Mengs
Close Helmet for Foot Tournament at the Barriers
Anton Peffenhauser (German, c. 1525—1603) Augsburg
Saint George and the Dragon
Bernat Martorell (Spanish, active from 1427–died 1452)
Beaker
In the style of Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Mourning Madonna
Nymphenburg Porcelain Manufactory (1747–present) Designed by Franz Anton Bustelli (born Switzerland, active Bavaria [now Germany], 1723–1763) Munich
Flower Girl in Holland
George Hitchcock American, 1850–1913
Beaker with St. Stephen's Cathedral, Vienna
Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Saint George
Apotheosis of Hercules (recto); Sketches of Horse's Head, Horse's Forequarters, and Altarpiece or Ciborium (verso)
possibly Anton Domenico Gabbiani (Italian, 1652-1726) or Ciro Ferri (Italian, 1634-1689) or possibly after Pietro da Cortona (Italian, 1596-1669)
Female Nude Bending Toward the Left
Georg Kolbe German, 1877-1947
Sketches of a Lute Player and Lute
Jan Anton Garemyn Flemish, 1712-1799
Little Harbor in Normandy
Georges Braque French, 1882–1963
Standing Nude Woman
Sir George Clausen English, 1852-1944