Gao’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Strange Rocks
Gao Yang (高陽) Chinese active early/mid-17th century
Mountain Villa after Rain
Yang Jin Chinese,1644-1728
Scholar in Landscape
After Gao Kegong, 1248-1310, or later Chinese
“Guleng” Teapot
Yang Pengnian, Potter Chinese, active early 19th century Guo Lin, Calligrapher, (1767-1831)
Yang Guifei
Komatsuya Hyakki Japanese, 1720-1793 (?)
Yang Pu Moving His Family
Artist Unknown Chinese
Heidelberg Square (Deguo Haidebao guangchang)
Yang Chunhua Chinese, born 1953
Katsukawa Shunshō 勝川 春章 Japanese, 1726-1792
Landscape in the Style of Ancient Masters: after Gao Kegong
Lan Ying (Chinese, 1585-c. 1664)
Upside Down
Zhiyuan Yang Chinese, born 1992
Landscape in the Style of Ancient Masters: After Gao Kegong
Lan Ying (Chinese, 1585-1664)
Yang Kuei Fei
Oda Mayumi Japanese, born 1941
Lovers Playing the Same Fute (parody of Xuanzong and Yang Guifei)
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
Courtesan Riding a Carp (parody of the Daoist Immortal Kinko [Chinese: Qin Gao])
Nishimura Shigenaga Japanese, 1697 (?)-1756
Seating for Eight
Scott Burton American, 1939–1989
Jar (hu)
China
Lovers Playing the Same Shamisen (parody of Xuanzong and Yang Guifei)
Rock
Yang Yanping 杨燕屏 Chinese, born 1934