Gao’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Scholar in Landscape
After Gao Kegong, 1248-1310, or later Chinese
Strange Rocks
Gao Yang (高陽) Chinese active early/mid-17th century
Landscape in the Style of Ancient Masters: after Gao Kegong
Lan Ying (Chinese, 1585-c. 1664)
Landscape in the Style of Ancient Masters: After Gao Kegong
Lan Ying (Chinese, 1585-1664)
Courtesan Riding a Carp (parody of the Daoist Immortal Kinko [Chinese: Qin Gao])
Nishimura Shigenaga Japanese, 1697 (?)-1756
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
King Gao's Avalokitesvara Sutra
Artist unknown
Night Scene
Zhou Gao (Chinese, active late 18th century–early 19th century)
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898
Interior of St. Mark's, Venice
David Dalhoff Neal (American, 1838–1915)
Nighthawks
Edward Hopper (American, 1882–1967)
Lion (One of a Pair, South Pedestal)
Edward Kemeys (American, 1843–1907) American Bronze Founding Company (American, founded 1886) Chicago
American Gothic
Grant Wood (American, 1891–1942)