Style’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Saracens and Crusaders
Style of Théodore Chassériau (French, 1819–1856)

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello
Théodore Chassériau French, 1819-1856

The Willow Song, plate nine from Othello
Théodore Chassériau French, 1819-1856

Portrait of the Baroness Chassériau
Théodore Chassériau French, 1819-1856

O Spartan dog, plate fifteen from Othello
Théodore Chassériau French, 1819-1856

Othello's Speech to the Senators of Venice
Théodore Chassériau French, 1819-1856

Oh! Oh! Oh!, plate fourteen from Othello
Théodore Chassériau French, 1819-1856

Yet She Must Die, plate eleven from Othello
Théodore Chassériau French, 1819-1856

Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello
Théodore Chassériau French, 1819-1856

Frontispiece, from Othello
Théodore Chassériau French, 1819-1856

O My Fair Warrior!, plate five from Othello
Théodore Chassériau French, 1819-1856

She Thank'd Me, plate two from Othello
Théodore Chassériau French, 1819-1856

Honest Iago, Desdemona Must I Leave to Thee, plate 4 (act 1, scene 3), from Othello
Théodore Chassériau French, 1819-1856

O My Fair Warrior!, plate 5 (act 2, scene 1) from Othello
Théodore Chassériau French, 1819-1856

Have you pray'd tonight, Desdemona?, plate twelve fom Othello
Théodore Chassériau French, 1819-1856

He Smothers Her, plate thirteen from Othello
Théodore Chassériau French, 1819-1856

Villain, Thou Diest, plate ten from Othello
Théodore Chassériau French, 1819-1856

She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,
Théodore Chassériau French, 1819-1856

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Honest Iago, my Desdemona must I leave to thee, plate four from Othello
Théodore Chassériau French, 1819-1856