Style’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Stoke-by-Nayland
John Constable (English, 1776-1837)
Landscape (The Lock)
Attributed to John Constable (English, 1776–1837)
Landscape with Cottages
An Old Bridge at Salisbury
John Constable English, 1776-1837
A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso)
Landscape with Cows
Death of Ananias
John Constable (English, 1776-1837) or after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Binfield Rectory and Church, Berkshire
Woman with Baby Fleeing Across Moors
Possibly John Constable English, 1776-1837
Blinding of Elymas
River Bank with Trees (recto); Herd of Cattle Beneath Trees, with Inset Sketch of Landscape (verso)
Possibly by John Constable (English, 1776-1837) or possibly Robert Leman (English, 1799-1863)
The Covenant
Follower of John Martin (English, 1789–1854)
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr.
Charles Willson Peale (American, 1741–1827)
The Holy Family with Saints Elizabeth and John the Baptist
Peter Paul Rubens (Flemish, 1577–1640)
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)
Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903