After’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Shipwreck
After Eugène Isabey (French, 1803-1886)
Normandy
Eugène Isabey (French, 1803-1886) printed by Francois Seraphin Delpech (French, 1778-1825)
Plate Four, from Souvenir of Brittany
Eugène Isabey (French, 1803-1886) printed by Charles Étienne Pierre Motte (French, 1785-1836)
Dante's Bark
After Eugène Delacroix (French, 1798–1863)
Portfolio Cover, for Six Marines
Interior of a Port, plate five from Six Marines
Souvenir of St. Valéry-sur-Somme, plate three from Six Marines
Repair of a Ship at Low Tide, plate four from Six Marines
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
Return to Port, plate two from Six Marines
Eugène Isabey
Jean-Baptiste Isabey French, 1767-1855
Low Tide, plate six from Six Marines
Annunciation to the Shepherds
After Jacobo Bassano (Italian, c. 1510-1592)
Pietà
After Cosimo Tura (Italian, c. 1430–1495)
Virgin and Child
After Giovanni Bellini (Italian, 1428/30–1516)
Lady in Red
Eugene Larkin American, 1921-2010
Sheet of Sketches
Eugène Delacroix French, 1798-1863
Saint Hymer in Solitude
After Jean Restout (French, 1692–1768)
Study for Marphise and the Mistress of Pinabel
Lion Hunt
Eugène Delacroix (French, 1798–1863)