After’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Dante's Bark
After Eugène Delacroix (French, 1798–1863)
Two Grotesque Figures
Odilon Redon (French, 1840-1916) after Eugène Delacroix (French, 1798-1863)
Sheet of Sketches
Eugène Delacroix French, 1798-1863
Study for Marphise and the Mistress of Pinabel
Lion Hunt
Eugène Delacroix (French, 1798–1863)
Arab Horseman Attacked by a Lion
Brother Martin Clasping the Iron Hand of Goetz
The Combat of the Giaour and Hassan
Jane Shore
Shipwreck
After Eugène Isabey (French, 1803-1886)
Crouching Woman
Four Sketches of Arab Men
Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)
Mephistopheles Appearing to Faust
Wild Horse, or Frightened Horse Leaving the Water
Study of Arms and Legs of Christ Crucified
Eugène Delacroix (French, 1798-1863) after Peter Paul Rubens (Flemish, 1577-1640)
Studies of Lions
Sketches of Tigers and Men in 16th Century Costume
Heads and Paws of Lions
The Wounded Götz Cared for by the Bohemians