Lucio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Presentation in the Temple
Lucio Bononi (Italian, active c. 1650-1670) after Lazzaro Baldi (Italian, c. 1624-1703)
Untitled
Lucio Fontana Italian, born Argentina, 1899-1968
Scratched Drawing White on White
Adoration of the Shepherds
Attributed to Carlo Bononi (Italian, 1569-1632) or Agostino Carraci (Italian, 1557-1602) or Annibale Caracci (Italian, 1560-1609) or Michel Corneille, the Younger (French, 1601/03-1664)
Gauntlet for the Left Hand
Lucio Piccinino (Italian, active 1575-1595) Milan
Nude
La morocha
Concetto Spaziale
Crocifisso
Seated Youth and Sketch of Legs
Attributed to the Circle of Domenichino (Italian, 1581-1641) or Carlo Bononi (Italian, 1569-1632)
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898
Interior of St. Mark's, Venice
David Dalhoff Neal (American, 1838–1915)