Artist
A
Antonio da Trento
132130
Works
Painter
Style
Antonio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Selected works
132130 pieces
Saint Cecilia
Antonio da Trento (Italian, 1510-1550) after Parmigianino (Italian, 1503-1540)
The Virgin, Christ Child, and Saint John
Antonio da Trento (Italian, 1510-1550) after Parmigianino (Italian, 1503-1540)
St. Simon
Antonio da Trento (Italian, c. 1510-c.1550) after Parmiaginino (Italian, 1503-1540)
Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)
Child's Head (Recto) Nude Male Figure (Verso)
After Antonio Allegri, called Correggio Italian, 1489-1534
Christ before Pilate
Giovanni Antonio da Brescia Italian, c. 1460-1520
Foreshortened Angel
After Antonio Allegri, called Correggio Italian, 1489?-1534
Judith with the Head of Holofernes
Giovanni Antonio da Brescia (Italian, c. 1460-c. 1520) after Andrea Mantegna (Italian, 1430/31-1506)
Male Head and Sketch of Right Hand Holding Stylus
After Antonio Allegri, called Correggio Italian, 1489?-1534
Four Children Playing, plate seven of Twelve Ornament Panels
Giovanni Antonio da Brescia Italian, c. 1460-1523
St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Antonio Allegri, called Correggio Italian, 1489?-1534
Saint Peter and other Seated Apostles, with Saint John the Evangelist Below
After Antonio Allegri, called Correggio Italian, 1489?-1534
Foreshortened Putto
After Antonio Allegri, called Correggio Italian, 1489-1534
Seven Cupids with Two Rams in a Landscape
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Two Peasants
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Architectural Details: Base, Capital, and Mask
Giovanni Antonio da Brescia Italian, c. 1460-c. 1520
Saint Geminianus
After Antonio Allegri, called Correggio Italian, 1489?-1534
Cardinal Virtues or Saint Euphemia
After Antonio Allegri, called Correggio Italian, 1489?-1534
Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso)
Attributed to Giovanni Antonio de'Sacchis, called Il Pordenone Italian, c. 1483-1539
Conversion of St. Paul (recto); Man Seen from Back (verso)
After Giovanni Antonio da Pordenone Italian, c. 1483-1539