Horii’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Window (Mado)
Horii Hideo Japanese, 1934-1994
A distant view at the Tama River (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Horii Hideo (b. 1934-1994) Japanese
Artemis (Arutemisu)
Hagiwara Hideo Japanese, 1913-2007
A Man in Armor (17) (Yoroeru hito [17])
Mask No.12 (Kamen No. 12)
Composition M
Fantasy in White (1) (Shiro no genso [1])
Mask O
Iris (Rainbow) [Niji]
Soil (3) (Dojo [3]), Damp Zone (Shitchitai)
White Moth (Shiroga)
Stone Flower (A) (Ishi no hana [A])
Bird (Tori)
Sunset in Tokyo (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Hagiwara Hideo (1913-2007) Japanese
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898