Jean’s work is defined by its renaissance sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Annunciation
Jean Hey (Master of Moulins; Netherlandish, c. 1480-c.1504)
Fragment from Christ Carrying the Cross: Mourning Virgin
Jean Hey (Master of Moulins; Netherlandish, active in France, c. 1480-c.1504)
Fragment from Christ Carrying the Cross: Saint John the Evangelist
At the Moulin Rouge
Henri de Toulouse-Lautrec (French, 1864–1901)
Christ on the Living Cross
Follower of the Master of Saint Veronica (German, active c. 1395–1420)
Joseph Sold by his Brothers
Master of the Die (Italian, active c. 1530-1560) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Peasant Family at a Well
Master of the Children's Caps (Le Maître aux Béguins; French, 17th century)
The Englishman at the Moulin Rouge
Henri de Toulouse-Lautrec French, 1864-1901
Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre
Vincent van Gogh (Dutch, 1853–1890)
A Gala Evening at the Moulin Rouge
Dance at the Moulin Rouge
At the Moulin Rouge, La Goulue and Her Sister
Man Lighting Girl's Cigarette (Jean Patchett), New York
Irving Penn American, 1917–2009
Bishop at Mass in a Historiated Initial "P" from a Choirbook
French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300)
Portrait of Santo Kyoden, the Master of Kyobashi (Edo hana Kyobashi natori)
Rekisentei Eiri Japanese, active c. 1781–1818
Black & White Vogue Cover (Jean Patchett), New York
A Master of Ceremonies
Mariano José María Bernardo Fortuny y Carbó Spanish, 1838-1874
Summer Sleep, New York
A Lady Reading (Saint Mary Magdalene)
Master of the Female Half-Lengths (Netherlandish, active about 1520–1540)
Saint James the Greater
Master F.P. (Italian, c. 1530-1550) or after Girolamo Francesco Maria Mazzola, called Il Parmigianino (Italian, 1503-1540)