Circle’s work is defined by its pre-raphaelite sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Isolde
Circle of Sir John Everett Millais (English, 1829–1896)

Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
Sir John Everett Millais English, 1829-1896

Bridge of Sighs
Sir John Everett Millais English, 1829-1896

Study for the Head of the Rescuing Lover in Escape of the Heretic
Sir John Everett Millais English, 1829-1896

Happy Springtime
Sir John Everett Millais English, 1829-1896

The Baby House
Sir John Everett Millais English, 1829-1896

Summer Indolence
Sir John Everett Millais English, 1829-1896

Going to the Park
Sir John Everett Millais English, 1829-1896

The Young Mother
Sir John Everett Millais English, 1829-1896

A Penny for Her Thoughts
Sir John Everett Millais English, 1829-1896

Saint Agnes of Intercession
Sir John Everett Millais English, 1829-1896

A Grey Day, Tangier
Sir John Lavery Irish, 1856-1941

The Festival
Edward John Poynter (English, 1836–1919)

The Golden Age
Edward John Poynter (English, 1836–1919)

The Hippodrome, London
Everett Shinn (American, 1876–1953)

Standing Nude Woman
Sir George Clausen English, 1852-1944

The Nativity
Circle of Donatello (Italian, c. 1386–1466)

Lovers in Woods
Sir John Everett Millais English, 1829-1896

"Millais" Scrapbook
Possibly Sir John Everett Millais British, 1829-1896

Virgin and Child with the Young Saint John the Baptist
Circle of Agnolo Bronzino (Italian, 1503–1572)