Wei’s work is defined by its contemporary sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
AC10
Zhang Wei Chinese, 1952-2025
Old Pine Tree in a Ravine 古松山水圖
Lu Wei 陸㬙 (Chinese, active c. 1685-1715)
Landscape after the Ancient Masters
Zhang Hong (Arnold Chang) American, born 1954
Portrait of Du Jun
Attributed to Zhang Feng (Chinese, active c.1628–1662)
Magpies Descending to Withered Trees
Attributed to Zhang He China, active 1636-1674
Mansion by the River 青櫺歸隱圖
Zhang Yin 張崟 Chinese, 1761-1829
Indoor Waves (Menli botao)
Zhang Yuanfan Chinese, born 1952
Wey
Designed by William Morris (English, 1834–1896) Produced by Morris & Co., London (English, 1875–1940) Merton Abbey, London (English, 1881–1940)
The Dragon and Phoenix Peak of Mount Tianmu
Zhang Feng (張風 ) Chinese, fl. 1636-1674
People Coming through the Wall (Chuan qiang er guo de ren)
Zhang Minjie Chinese, born 1959
Document on Hygiene No. 3
Zhang Peili Chinese, born 1957
Courtesan Likened to the Chinese Sage Zhang Guolao (Japanese: Chokaro)
Okumura Masanobu Japanese, 1686-1764
Portrait of Mr. Delvalle
Claude Marie Dubufe (French, 1790–1864)
Guan Yu, Liu Bei, and Zhang Fei
Utagawa Kunisada I (Toyokuni III) Japanese, 1786-1864
Being Human
Zhucen Wei Chinese, born 1992
Wey for a Valance
Poem in Running Script
Zhang Ruitu (Chinese, 1570–1641)
Moonstruck Ink 20167
Zhang Long Chinese, born 1961
Empty Series
Zhang Zhaohui Chinese, born 1965