Wei’s work is defined by its contemporary sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

AC10
Zhang Wei Chinese, 1952-2025

Landscape after the Ancient Masters
Zhang Hong (Arnold Chang) American, born 1954

Old Pine Tree in a Ravine 古松山水圖
Lu Wei 陸㬙 (Chinese, active c. 1685-1715)

Portrait of Du Jun
Attributed to Zhang Feng (Chinese, active c.1628–1662)

Magpies Descending to Withered Trees
Attributed to Zhang He China, active 1636-1674

Mansion by the River 青櫺歸隱圖
Zhang Yin 張崟 Chinese, 1761-1829

Indoor Waves (Menli botao)
Zhang Yuanfan Chinese, born 1952

The Dragon and Phoenix Peak of Mount Tianmu
Zhang Feng (張風 ) Chinese, fl. 1636-1674

Wey
Designed by William Morris (English, 1834–1896) Produced by Morris & Co., London (English, 1875–1940) Merton Abbey, London (English, 1881–1940)

People Coming through the Wall (Chuan qiang er guo de ren)
Zhang Minjie Chinese, born 1959

Document on Hygiene No. 3
Zhang Peili Chinese, born 1957

Courtesan Likened to the Chinese Sage Zhang Guolao (Japanese: Chokaro)
Okumura Masanobu Japanese, 1686-1764

Portrait of Mr. Delvalle
Claude Marie Dubufe (French, 1790–1864)

Being Human
Zhucen Wei Chinese, born 1992

Guan Yu, Liu Bei, and Zhang Fei
Utagawa Kunisada I (Toyokuni III) Japanese, 1786-1864

Wey for a Valance
Designed by William Morris (English, 1834–1896) Produced by Morris & Co., London (English, 1875–1940) Merton Abbey, London (English, 1881–1940)

Poem in Running Script
Zhang Ruitu (Chinese, 1570–1641)

Calligraphy in Archaic Script
Zhang Yuzao Chinese, 20th century