Daniel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Deification of Aeneas by Nymphs and Cupids
Daniel van den Dyck Flemish, 1614-1662
Jan de Wael
Anthony van Dyck Flemish, 1599-1641
Helena Tromper Du Bois
Attributed to Anthony van Dyck (Flemish, 1599–1641)
The Reed Offered to Christ
Anthony van Dyck (Flemish, 1599-1641) Lucas Vorsterman I (Flemish, 1595-1675)
Venus and Adonis (?) with the Duck Hunt
Presumably woven at the workshop of Jacques I Geubels (died 1601/05) or his widow Catharina van den Eynde (died before 1629) Brussels
Titian and His Mistress
Lucas Vorsterman (Dutch, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)
Christ and the Woman Taken in Adultery
Gerbrand van den Eeckhout Dutch 1621-1674
Daniel Mytens
Paul Pontius (Flemish, 1603-1658) after Anthony van Dyck (Flemish, 1599-1641)
Desiderius Erasmus
Anthony van Dyck (Flemish, 1599-1641) after Hans Holbein, the Younger (German, 1497-1543)
Bacchus and Drunken Silenus—The Dream of Silenus
Frans van den Wyngaerde (Flemish, 1614-1679) after Peter Paul Rubens (Flemish, 1577-1640)
Teapot
Daniel Van Voorhis (American, 1751–1824) New York
Philippe Le Roy
Daniel-Henry Kahnweiler
Pablo Picasso Spanish, active France, 1881–1973
Adam van Noort
Lucas Vorsterman
Man with a Ruff
Follower of Anthony van Dyck (Flemish, 1599–1641)
Self-Portrait
Frans Snyders
The Last Judgment
Barbara van den Broeck (Flemish, born c. 1558/60) after Crispin van den Broeck (Flemish, 1524–c. 1590) published by Hendrik Hondius (Dutch, 1573–1650)
Joos de Momper