Bernardino’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Deposition
Bernardino Nocchi (Italian, 1741–1812) After Antonio Canova (Italian, 1757–1822)
The Descent from the Cross
Bernardino Butinone (Italian, c. 1450-before 1510)
The Flight into Egypt
Two Standing Prisoners in a Niche
Bernardino Campi Italian, 1521-1591
God the Father
Bernardino Campi Italian, 1522-1591
Flagellation of Saint Catherine
Bernardino Lanino Italian, c. 1509-after 1581
Five Putti with Books
After Bernardino Gatti, called Il Sojaro Italian, c. 1495-1575
Lot and His Daughters
Bernardino Capitelli (Italian, 1589-1639) after Rutilio Manetti (Italian, 1571-1639)
Rest on the Flight into Egypt
Bernardino Passeri Italian, c.1540-1591
Justice
Bernardino India Italian, 1528-1590
Seated Virgin and Child with Bishop Saint and Monastic Saint, and Saint John the Baptist
After Bernardino Campi Italian, 1521-1591
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Man on Bended Knee, Pulling on Rope
Bernardino Poccetti Italian, 1548-1612
Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels
Sano di Pietro (Italian, 1405–1481)
Two Studies of Carthusians (recto); Three Sketches of Heads of Carthusians (verso)
Bernardino Barbatelli, called Poccetti Italian, 1548-1612
Story of Niobe: Woman Turning Left
Circle of Bernardino India (Italian, 1528-1590) or after Polidoro da Caravaggio (Italian, c. 1499-c. 1543) or Circle of Francesco Salviati (Italian, 1510-1563) or Follower of Fiorentino Rosso (Italian, 1494-1540)
Design for a Lunette: Devils and Saint in a Monastery
Attributed to Bernardino Poccetti Italian, 1548-1612
Adoration of the Magi
Unknown Artist, possibly circle of Bernardino India Italian, c. 1550-1590
Moses
Circle of Bernardino Gatti, called Il Sojaro Italian, c. 1495-1575
Venus (?) and Cupid
Circle of Bernardino Campi (Italian, 1521-1591) or possiby Pierino da Vinci (Italian, c. 1530-1553)