Koji’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

(Oil on paper) Installation
Koji Enokura Japanese, 1942-1995

Symptom
Koji Enokura Japanese, 1942-1995

The Infinite Zone
Koji Enokura Japanese, 1942-1995

Symptom - Column, Body (P.W. series)
Koji Enokura Japanese, 1942–1995

Symptom - Floor, Hand (P.W. No. 51)
Koji Enokura Japanese, 1942–1995

The Infinite Zone
Koji Enokura Japanese, 1942-1995

P.W. No. 50, Symptom-Floor Water
Koji Enokura Japanese, 1942–1995

Quality of Wetness
Koji Enokura Japanese, 1942–1995

The Infinite Area
Koji Enokura Japanese, 1942-1995

Symptom - Lump of Lead toward the Sky I (P.W. No. 41)
Koji Enokura Japanese, 1942–1995

Sympton
Koji Enokura Japanese, 1942-1995

P.W. No. 26
Koji Enokura Japanese, 1942–1995

P.W. No. 48
Koji Enokura Japanese, 1942–1995

P.W. No. 24
Koji Enokura Japanese, 1942–1995

Seigetsu koji dan
Kitao Shigemasa 北尾重政 Japanese, 1739-1820

Shizen Koji, from the series "Pictures of No Performances (Nogaku Zue)"
Tsukioka Kogyo Japanese, 1869-1927

Chiryu: The Old Story of the Irises at Yatsuhashi Bridge (Yatsuhashi no kakitsubata no koji), section of sheet no. 12 from the series "Pictures of the Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi zue)"
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

The Filial Child from Shinano Province from the Collection of Stone and Sand (Shinano koji, Shasekishu), from the series "Twenty-four Japanese Paragons of Filial Piety for the Honcho Circle (Honchoren Honcho nijushiko)"
Yashima Gakutei Japanese, 1786 (?)-1868