Heinrich’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Leaf from New Kreuterbuch by Leonhart Fuchs, plate 97 from Woodcuts from Books of the XVI Century
Attributed to Heinrich Füllmaurer (Swiss, active 1520-1545) assembled by Max Geisberg (Swiss, 1875-1943)
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560
The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)
Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Landscape
Heinrich Campendonk German, 1889–1957
From Brittany
Heinrich Campendonk German, 1889-1957
Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)
Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)
Lust, from Virtues and Vices
Les Dernieres Paroles de J.J. Roseau (The Last Words of J.J. Rosseau)
Adam and Eve at Work, from The Story of Adam and Eve
Heinrich Aldegrever German, 1502-c. 1560
Bathsheba at the Bath
The Married Couple, from Krüppel
Heinrich Hoerle German, 1895-1936
Wrath, from the Vices
Ornamental Design with a Bat in the Centre
Eiffel Tower, Paris
Heinrich Hauser German, 1901-1955
Portrait of Two Children
Heinrich Kühn Austrian, born Germany, 1866–1944
Spring
Heinrich Johann Vogeler German, 1872-1942
Slant-Front Desk
Attributed to Heinrich Ludwig Rohde (German, 1683–1755) or Ferdinand Plitzner (German, 1678–1724) Germany, Mainz
The Creation of Eve, plate one from Adam and Eve