Chas.’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Angelica's Grotto, No. 26 from the series "Mammoth Cave Views"
Chas. Waldack American, active 1860s
View from "Bridge of Sighs", No. 20 from the series "Mammoth Cave Views"
"Ole Bull's Concert Room", No. 34 from the series "Mammoth Cave Views"
Entrance to "Long Route", No. 16 from the series "Mammoth Cave Views"
"Deserted Chamber", No. 17 from the series "Mammoth Cave Views"
"Grand Crossing", No. 25 from the series "Mammoth Cave Views"
Dining in "Great Relief", No. 28 from the series "Mammoth Cave Views"
"Bottomless Pit" and "Bridge of Sighs", No. 19 from the series "Mammoth Cave Views"
"Gorin's Dome", No. 18 from the series "Mammoth Cave Views"
"Bandit Hall", No. 30 from the series "Mammoth Cave Views"
"Wandering Willie's Spring", No. 12 from the series "Mammoth Cave Views"
"Rosa's Bower", No. 40 from the series "Mammoth Cave Views"
Entrance to "Rocky Hall", No. 14 from the series "Mammoth Cave Views"
"Wild Hall", No. 23 from the series "Mammoth Cave Views"
Chair (Kiti Cha Enzi)
Swahili Lamu, Kenya Eastern and Southern Africa
Seated Female Clown (Mademoiselle Cha-U-Kao), plate one from Elles
Henri de Toulouse-Lautrec (French, 1864-1901) published by Gustave Pellet (French, 1859-1919) probably printed by Auguste Clot (French, 1858-1936)
Tea Caddy (Cha-ire)
Japan
Green Room, White House
Chas. S. Cudlip American, active late 19th century
Marble Room
Corcoran art gallery