Artist

Circle of Bernard van Orley

132130

Works

Painter

Style

Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132130 pieces

July

After a design by an unidentified Flemish artist in the circle of Bernard van Orley (c. 1488–1541) Brussels

October

After a design adapted from part of a larger design by an unidentified Flemish artist in the circle of Bernard van Orley (Netherlandish, c. 1492-1542), c. 1525 Brussels

February

After a design by an unidentified Flemish artist in the circle of Bernard Van Orley (c. 1488-1541) Brussels

Pentecost

Workshop of Bernard van Orley (Netherlandish, 1490–1542)

Justitia (Justice) from Los Honores

Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artists Possibly produced at the workshop of Pieter van Aelst (c. 1450–1533; top left corner); produced at an unknown workshop (remaining sections) Brussels (top left corner and center of lower section); Belgium or France, 1905/08 (remaining sections)

Prudentia (Prudence) from Los Honores

Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artists Possibly woven at the workshop of Pieter van Aelst (Flemish, c. 1450-1533; left side) Brussels, 1525/32 (left side); Belgium or France, 1905/08 (right side)

Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great

Adapted from designs attributed to Nicolaas van Orley (died 1586/91) Possibly woven at the workshop of Jacques Tseraerts (died before 1613) Brussels

Shooting a Pink Elephant, from Screen Prints 1970

Bernard van Marm (American, active 1970) conceived, organized, and produced by Sonia Sheridan produced by The School of the Art Institute of Chicago and the Advance Screen Company, Chicago distributed by The Goodlion