Barnard’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Ruins at Manassas Junction
Barnard and Gibson American, active 19th century

Stone Church, Centreville, Virginia
Barnard and Gibson American, active 19th century

Quaker Guns, Centreville, Virginia
Barnard and Gibson American, active 19th century

Ruins of Stone Bridge, Bull Run
Barnard and Gibson American, active 19th century

Antietam Bridge, Maryland
Barnard and Gibson American, active 19th century

Manassas Junction
Barnard and Gibson American, active 19th century

Fortifications at Manassas
Barnard and Gibson American, active 19th century

Fortifications on Heights of Centreville, Virginia
Barnard and Gibson American, active 19th century

Mathew's House, Battle-field of Bull Run
Barnard and Gibson American, active 19th century

Inspection of Troops at Cumberland Landing, Pamunkey, Virginia
Wood and Gibson American, active 19th century

Eleanor Margaret Gibson-Carmichael
Henry Raeburn (Scottish, 1756–1823)

Moore House, Yorktown, Virginia
Wood and Gibson American, active 19th century

Portrait of Frances Theresa, Duchess of Richmond (1648-1702)
Richard Gibson (English, 1615–1690)

Battery No. 1, Near Yorktown, Virginia
Wood and Gibson American, active 19th century

Untitled (Chicago after the Fire)
Attributed to George N. Barnard American, 1819–1902

Ruins in Charleston, S.C.
George N. Barnard American, 1819–1902

Sherman and His Generals
George N. Barnard American, 1819–1902

Pair of Tea Caddies
William Barnard English, active 1767-1818 London, England

Maidenhood
George Grey Barnard American, 1863–1938

Battle Field of Atlanta, GA No. 1
George N. Barnard American, 1819–1902