Barnard’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Ruins at Manassas Junction
Barnard and Gibson American, active 19th century
Stone Church, Centreville, Virginia
Quaker Guns, Centreville, Virginia
Ruins of Stone Bridge, Bull Run
Antietam Bridge, Maryland
Manassas Junction
Fortifications at Manassas
Fortifications on Heights of Centreville, Virginia
Mathew's House, Battle-field of Bull Run
Inspection of Troops at Cumberland Landing, Pamunkey, Virginia
Wood and Gibson American, active 19th century
Eleanor Margaret Gibson-Carmichael
Henry Raeburn (Scottish, 1756–1823)
Moore House, Yorktown, Virginia
Portrait of Frances Theresa, Duchess of Richmond (1648-1702)
Richard Gibson (English, 1615–1690)
Battery No. 1, Near Yorktown, Virginia
Untitled (Chicago after the Fire)
Attributed to George N. Barnard American, 1819–1902
Ruins in Charleston, S.C.
George N. Barnard American, 1819–1902
Sherman and His Generals
Pair of Tea Caddies
William Barnard English, active 1767-1818 London, England
Maidenhood
George Grey Barnard American, 1863–1938
Battle Field of Atlanta, GA No. 1