Sino’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Green Tara, Seated in Pose of Royal Ease (Lalitasana), with Lotus Stalks on Right Shoulder and Hands in Gestures of Reasoning (Vitarkamudra) and Gift Conferring (Varadamudra)
China
Portrait of the Seventh Dalai Lama
Tibet
Portrait of Lama Tsongkhapa
Tibet or Mongolia
Lama Pabongkha
Ushnishavijaya
Portrait of a Seated Mongolian Lama
Milarepa on Mount Kailash
Sino-Japanese War
Kobayashi Ikuhide Japanese, active c. 1885–98
Tibetan Antique Dealers
John Smart American, born 1947
Portrait of the Tibetan Lama Chankya Hutuktu Rolpai Dorje (1717-1786)
Stem Bowl with Tibetan Inscription
Painted Banner (Thangka) of Vajriputra, One of the Sixteen Great Arhats
Chinese or Tibetan
Folding Screen (Biombo)
Sino-Portuguese, Probably Macau
Portrait of a Tibetan Lama, possibly the Seventh Dalai Lama
China or Tibet
Actress of Tibetan Drama Society in dress of Central Tibet.
Midday (Zhengwu)
Qijia Dawa 其加达瓦 Chinese (Tibetan), 1946–2025
Sino-Japanese War: Two Generals at the Battle of Fenghuangcheng (Nisshin gekisen ryosho Hoojo sen no zu)
Yosai Nobukazu Japanese, 1872-1944
Panel or Cover
Probably Russian for Tibetan Market
Self-Portrait
Walter Shirlaw (American, 1838–1909)