Kobayashi’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sino-Japanese War
Kobayashi Ikuhide Japanese, active c. 1885–98
The Army and Navy Attack and Capture Weihaiwei (Ikaiei rikukaigun kogeki senryo zu)
Long Live the Japanese Navy and Army! The Great Battle near Weihaiwei (Nihon kairiku banzai, Ikaiei fukin daigekisen no zu)
The Moon Beyond Shinagawa (Shinagawa mikoshi no tsuki), from the series "One Hundred Views of Musashi Province (Musashi hyakkei no uchi)"
Kobayashi Kiyochika Japanese, 1847-1915
Sei Shonagon, from the series Ancient Patterns (Kodai moyo)
A pair of ducks by a lotus pond
Advancing across the Ansong River at the Battle of Asan (Gazan gekisen Anjo no watashi shingeki no zu)
Escape of Emperor Godaigo, from the series "The Unofficial History of Japan (Nihon gaishi no uchi)"
The Naval Battle of Pungdo in Korea (Chosen Hoto kaisen no zu)
Silk Overshot Wearable Poncho
Keiko Kobayashi (Japanese, born 1947) Japan
Autumn Leaves (Impromptu of Scarves)
Keiko Kobayashi (Japanese, born 1947)
Distant View of Matsuchi Hill from the Sumida River (Sumidagawa yori Matsuchiyama enkei), from the series "One Hundred Views of Musashi Province (Musashi hyakkei no uchi)"
Passion
Moonlight through the Clouds off the Haneda Coast
Forest Cat
Kobayashi Donge Japanese, born 1927
Major General Odera Fighting Fiercely at the Hundred Foot Cliff in Weihaiwei (Ikaiei hyakusekigaisho ni Odera shosho funsen su)
Landing and Advance to Weihaiwei (Ikaiei joriku shingun no zu)
Third Illustration of the Great Victory of Our Forces on the Yellow Sea (Kokai ni okeru wagagun no taisho, dai san zu)
Outbreak of Fire Seen from Hisamatsucho (Hisamatsucho nite miru shukka)
Dialog of a Few Hours (Sukoku no taiwa)
Kobayashi Kiyoko Japanse, born 1947