Qian’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Inscription on the Stone Drums, and the Bilou Stele: Calligraphy in Seal Script
Qian Daxin Chinese, 1728-1804
The Xuehong Pavilion in a Scholar's Garden
Qian Du (1763-1844 ) Chinese
Piled Up Strange Peaks
Qian Feng 錢灃 Chinese, 1740-1795
Washing the Elephant
Attributed to Qian Xuan (Chinese, 1235-1305)
Flowers of the Four Seasons: Spring
Qian Chaoding (Chinese, c.1605-c.1671)
Flowers of the Four Seasons: Autumn
Qian Chaoding Chinese, (ca. 1605-ca. 1671)
Flowers of the Four Seasons: Summer
Flowers of the Four Seasons: Winter
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898
Interior of St. Mark's, Venice
David Dalhoff Neal (American, 1838–1915)
Nighthawks
Edward Hopper (American, 1882–1967)
Lion (One of a Pair, South Pedestal)
Edward Kemeys (American, 1843–1907) American Bronze Founding Company (American, founded 1886) Chicago
American Gothic
Grant Wood (American, 1891–1942)
The Fall of the Giants
Salvator Rosa Italian, 1615-1673
It Rocks but is Not Sunk
Charles Meryon French, 1821-1868