Walter’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

James McNeill Whistler
Walter Greaves (English, 1841–1930)

Coal Barges Unloading (recto); Sketch of a Building (verso)
Walter Greaves English, 1846-1930

Whistler as I Knew Him
Walter Greaves English, 1841-1930

Self-Portrait
Walter Shirlaw (American, 1838–1909)

Train Station
Walter Ellison (American, 1899–1977)

A Magdalen
Walter MacEwen (American, 1860–1943)

Nude Study
Walter Richard Sickert British, 1860-1942

Red Cross
Walter Richard Sickert British, 1860-1942

The Glovemaker, Worcester
Walter Richard Sickert British, 1860-1942

Three Sketches of a Male Nude
Walter Stein American, born 1924

The Solemn Pledge, Taos Indians
Walter Ufer (American, 1876–1936)

D Day Rescue, Omaha Beach, Normandy
Walter Rosenblum American, 1919–2000

Jim and His Daughter
Walter Ufer (American, 1876–1936)

Toning the Bell
Walter Shirlaw (American, born Scotland, 1838–1909)

The Commode
Walter Gay (American, 1856–1937)

Basket-Hilted Broadsword
Walter Allan (Scottish, active 1732-1761) Stirling

The Sunny South
Walter W. Ellison American, 1899-1977

The Powerhouse, Falls Village, Connecticut
Walter Elmer Schofield (American, 1866–1944)

Left Greave and Sabaton
Attributed to Wolfgang Grosschedel (German, 1517-1562) Landshut

Ennui
Walter Richard Sickert British, 1860-1942